is a poet,
a politically praying soul-(de)picturer,
a permanently processing project.

“I bicker over language. Therefore I philosophize about it, taking after constructivists who have triumphantly foundered before me. Thus by my very defined nature I cannot speak. Least of all about myself” (Pat Paul Jammernegg).

Paul’s writing links directly to its exterior, though in principle its context is a standalone entity. But beyond that his poetry relates to other means of expression and impression as well - and vice versa.
E.g. he dances interpretively, devotedly experiments with photography, music/voice/sound production and editing, and is in a love-hate relationship with his studies of politics und philosophy at a correspondence university. All these elements correlate among themselves; interchangeably, yet not redundantly.
Just as “the private is political” (Emma Goldman), the natural is entitled to be artificial.
This is where the It-pet is born.

Wikipedia: An It girl or It-girl is a charming, sexy young woman who receives intense media coverage unrelated or disproportional to personal achievements. The reign of an ‚It girl’ is usually temporary;”

If you have it, you have nothing (nameable by means of what a current nomenclature provides); nonetheless you are. Postmodern individualism is an It-individualism. All of us are to portray ourselves as unique (and at best condensed), on condition that the respective singularity is being assembled from default modules. The term “pet” refers to a potential hope for a potential being, which, despite all umbrella terms, is yet able to subsist as an identifiable being. Socialized, but not to be tamed. “Our awareness of awareness goes hand in hand with exhibitionism, this severe compulsion to express what is recognized up to exhaustion. ‘Up to exhaustion’ does not equal ‘exhaustive’. Because of that I will never stop trying to talk, just as I have never commenced talking. I started to speak. As a 6 year old I said I wanted to become a writer” (Pat Paul Jammernegg). In Paul’s poetic language text speaks for itself. There is no need to look for the poet neither behind nor beside what comes in black and white. He interprets and transcends himself into any of the words used, and their order, comes obvious and dissolves in them, and hence is unavailable as a subject to interpretation. Written text unbolts to what it is: a confined but principally open space to the reader.

Prototype is Pat Paul Jammernegg's debut book of poetry: