Monica Attell: You're Popular

There is a certain…something…about the 1960’s that brings thoughts of root beer floats and sock hops. It is this…something…that creates the retro charm that is Monica Attell’s music. The Stamford, Connecticut singer/songwriter takes a solo break from her band BETA ZANE and is releasing her new EP You’re Popular in early 2009, and the track “Honestly” from it makes you want to put on a poodle skirt and slow dance with your beau. The easy to learn and easier to rhyme lyrics make the song catchy without being patronizing.

Chris Young, who has worked with the likes of George Clinton and The Ravonettes, produces You’re Popular. Attell is a classically trained flutist, and her talent and passion shows throughout her songs. This is especially apparent in the title track where in the first few chords the sound of her flute breaks through the pop sound to create the most danceable song on the EP. ”You’re Popular” resonates such smiley bubble gum undertones that it’s almost as if it erupted from the mid-90’s movie Clueless. Lyrics like “You’ve got people who call you each night and want to hang out with you, put your makeup on, do it perfectly, and strike a pose like a celebrity” bring a smile to everyone from a ‘tween to a lady who lunches.

“Sunny Day Fantasy” tells the tale of the youthful trouble-making that can arise from having too much time on your hands with a partner in crime, while ”Side Steppin” slows things down to a swanky crawl. The last song on the EP, “Waiting”, echoes what every girl thinks when those butterflies start fluttering around in her stomach for a certain boy. This slow ballad is introspective compared to the other tracks, and if you listen close, you are transported right back to the 1960’s again as a hint of the Shangri-Las peeks through the slow melody.

Monica Attell brings a fresh and youthful voice to pop music and provides songs you can sing to. You’re Popular will be what brings the sun to your rainy day, and Attell’s voice is the sun that brings the heat.

Review by Lisa Perron

Carly and Mark: New City Morning

Carly and Mark create a fine line between reality and fantasy (or what you think is fantasy). “Brilliant Blue”, is an acoustic mix of inspirational creativity that will tickle your senses. Carly has amazing vocals that compliment Mark’s singing guitar. Speechless. Carly and Mark portray what “the unfolding of time” will do for them. Creative and talented artists like these will not stay hidden for very long.

The best artists are those who can touch the souls of others. That is exactly what Carly and Mark have done, touched my soul. Their new album New City Morning is an album that is funky and jazzy with enough diversity that music lovers of all genres will appreciate.

Review by Thea Brown

Corrin Campbell:

The world, generally speaking, is run by men. The world of music is no different. Female musicians can be pigeon-holed into one of several categories: acoustic guitar coffee house singer/songwriters, piano playing folk artists, bubble gum teeny boppers, or twangy country stars. Even the girls who just want to rock tend to be filed under the angry-chick-whos-just-mad-that-her-boyfriend-dumper-her-for-someone-prettier-rock genre. Then we have Corrin Campbell, whose energetic voice and spunky lyrics refuses to become a cliché.

The Wisconsin born, Maryland based musician makes songs you can, and often want, to sing along to. Although her set list contains many covers by chart topping bands like Paramore, Daughtry, and Maroon 5, Campbell keeps her fingerprint on the show with originals like the hard rocking “Sunbeam” and the not quite but almost a sell out “Friend in D”. The latter resonates like an angry high schooler who’s mad at her BFF/ex-boyfriend, all while maintaining the charm of an addicting chorus.

“Through Your Eyes” shows a softer side of Campbell as she sings, “All that time I looked around, you were right in front of me, cause you’re here inside, never have to fear, even when I feel so alone, you’re always here, and I knew that you always cared for me.” Hearing Campbell sing the ballad makes you wonder who she’s singing about, and where can you find someone like that?

Finding an original sound in the female pop/rock world is a hard task, but it doesn’t seem that way for Corrin Campbell. Her music displays many sides of her natural talent as Campbell shifts from harder electric guitar rock to the softer side of piano ballads. She has successfully found her footing and one step at a time, is sure to reach to top of the mountain of musical success.

Review by Lisa Perron

Daze Of Dawn: YETI NATION

Recently, there has been a surge of impressive Canadian bands taking over the music scene. Daze of Dawn is definitely one of those impressive bands. Their blend of music reminds me of Led Zepplin meeting head on with Pearl Jam. Big statement, I know, but I stand by my word.

The style of music is a great blend of rock, blues, funk, and some classic metal. Guitarwise, if you love classic rock riffs bouncing off your speakers, definitely check this band out. The vocals in this band are written to be very catchy and overpowering. You can easily learn every word to each song after only a few listens. A plus with this band, and all bands, are the imprint of guitar solo's. It seems to be a lost cause sometimes in the music scene today.

The solos in Daze of Dawn's songs are crafted very well. It's not too much, not too little, yet very talented and fit every song perfectly. On certain songs, you may even hear some grunge aspects. The different styles of music blended together will always keeps you guessing with this band. The songwriting dynamics also play a huge role in this band's structure. From melodic riffs to pounding rock, this band does each sound very well. I doubt this band can break out in the mainstream, due to the music scene as is, but I wish them the best of luck. Any band trying something new has my respect and Daze Of Dawn definitely fits that category.

Review by Metal Mark McPheeters

Ecotone Refugees: LP to be released March 2009

One thing that must be said about Ecotone Refugees is that they are a band unlike any others. At first listen, people may be turned off by their sound, but open your minds! I tried to think of the best way to describe the band, but all I came up with was original.

The guitar parts range from influences as metal, punk, and even some psychedelic parts. The vocals are the standout of this band. They are pure electric. The vocals are old-school and gets a strong response from the soul. Vocals are similar to Danzig and Mike Patton in my mind. Kill me if I'm wrong. The songwriting is very interesting and kept me guessing until the songs ended.

The different elements of this band may sound like chaos to some people, but its smartly crafted once you break it down. The one concern with this band is how different they are from everything out there. Some people will simply turn away from their style, but true music fans with open minds will actually dig this band. They may need to focus on one style and stick with it, but that's not my place to say so. Check out this band for something original and new. Keep listening to each song and you may find yourself falling in love with this band.

Review by Metal Mark McPheeters

Feeding Fiction: LP to be released March 2009

Feeding Fiction can best be described as a progressive, hard rock band from Saskatoon, SK, Canada. Their sound is very unique, and does not hold them to one genre. The first thing I love about this band is the exceptional guitar and bass playing. Being a bass player, I always appreciate a bass player not playing the simple background parts, and playing a standout role in a band.

The guitar playing is a huge bright spot for this band. The riffs are very technical and precise in every one of their tracks. It's really amazing, because some parts sound like Rush is playing for you, and then Iron Maiden riffs come in and your head pounds even more.

Mike's lead vocals are very strong and grasp the listener by every word and never lets up. The best parts for me in each song are when they bring out the old school heavy metal riffs. You must respect the old school to go anywhere in music and this band understands that. The songwriting on the album is impressive as the songs flow together very well, with no interruptions. The smartest thing about this band to me is their style of music, because it allows them to play with bands from numerous genres. I believe any type of music fan could really get into this band. Check out Feeding Fiction and be prepared for a whole new musical experience. Once you think you've heard it before, they bust out something totally different. Brilliant Band!

Review by Metal Mark McPheeters

Claire Hayek: Intention

Have you ever cringed listening to a cover song and wondered why an artist or band would butcher a great song? That was an initial fear upon seeing the track listed on Intention, but certainly not the case with Claire Hayek’s version of “Redemption Song” by original artist Bob Marley. I was hooked as soon as I listened to the first word out of her mouth with an accompanying drum in the background. The song is naturally euphonious and Claire was able to “naturally” keep it that way, but with a woman’s touch! Her vocals make you feel like you can read her soul like a book. She hooked me with her strong vocals at the beginning and then again with her French twist at the end. Absolutely beautiful!

“All Means Nothing”, but it does mean something! Wow. This song was another favorite. We’ve all had really bad relationships. I’m sure everybody can relate to this song. “All Means Nothing” is, by far, musically and lyrically meaningful with simplistic drum beats that fit perfectly into the song and strong vocals that tell more than a story.

From familiar artists like Cher to Bob Marley, Claire Hayek has a way of appeasing everybody’s musical interest. Pop or rock? I honestly don’t know. There is no genre to classify her unique style. Regardless of her struggles through life, Claire has truly showed how dedicated she is to connecting to the rest of the world through music.

Review by Thea Brown

The Music of Michael Horsphol: Lu'Ella Unveiled: A New Earth Rising

Michael Horsphol brings us originally composed music in his 8 track CD entitled Lu'Ella Unveiled: A New Earth Rising. He gives his inspiration to nature, the countryside of Northern Tasmania, Australia. Michael is inventive, using digital multi sampling of acoustic orchestral, ethnic instruments and choirs. Artwork, composition, mixing, and production is done solely by Michael who has completed soundtrack work for film productions.

The first track "Lu'Ella Unveiled" is an orchestral vocal journey seated in a dimly lit theater simultaneously roaming the wilderness. Michael incorporates that soundtrack "feel" with additions of flutes, orchestra and vocals. It is reminiscent of nothing I have heard.

"Gloria Natura" is by far my favorite. This is a modern twist to the classical Ave Maria. This is the most calming peaceful song. Instead of taking away from old themes, as most modern does, Michael ADDS to this, bringing forth a "New World" quality that is missing in the original.

"Blue Wings" is stunning. This IS the gift of flight through music. The bass is full and rich, with a surround sound quick tempo as if you are in front of an orchestra. Listening to this sets me faraway over craggy embankments, on turbulent seas; to transcend this plane, inside a science fiction film, a forest glen, the sky. "Blue Wings" is a masterpiece.

Visit Michael at http://www.michaelhorsphol.com and check out Lu'Ella Unveiled: A New Earth Rising. The jacket is phenomenal, emblazoned with a majestic sunset overlooking the vast sea. This CD is multi educational/cultural. It can be used for meditation, education in schools, college level digital track courses, and most definitely, for all spiritual enlightenment.

Lu'Ella Unveiled: A New Earth Rising is THE next soundtrack for a Major Motion Picture. This is fresh, exciting. It IS . . . Earth meets Cinema.

Review by Susan Marie

Illuminatus: The Wrath of Lambs

Straight from Ministry's UK Final World Tour, followed My Ruin's UK and Ireland Tour, Illuminatus brings us their new release, The Wrath of Lambs. Nationwide on Anthill/Pinnacle Records, Illuminatus has a 2009 European Tour beginning in Italy, then DarkFest in Bologna. Illuminatus made their way to the finals of FameCast and were flown to Austin, Texas broadcast live to millions. Illuminatus, to date, is the only non U.S. band to achieve this.

Illuminatus is:
Julio Taylor: Vocals/Guitar, Felix Rullhusen: Percussion, Jon Martin: guitars and Leo Giovazzini on Bass. Their mass of loyal fans, high energy performance, and driving rhythm allowed them to share the stage with: Children of Bodom, Dragon Force, NightWish, Paradise Lost, and Saxon and Skindred.

They have appeared live at UK's Bloodstock and Bulldog Bash, and collaborating with producers such as Harvey Birell (Therapy?, Ministry) and Pete "Pee-Wee" Coleman (AC/DC, Black Sabbath) drew them comparison to bands such as Anathema and Paradise Lost. Illuminatus is the ultimate National/International Alternative Band.

A lover of both metal and rock, this 9 track CD is a must have. Every single tune is a power play. Dark sarcasm is present in guitar riffs with maddening percussion reminiscent of 1970's metal rock. The title track, "The Wrath of Lambs", is a stadium anthem. Julio and Jon keep the starkness alive with Leo on one mean bass. Felix brings it full circle keeping everyone in check. This is a rock instrumental.

"Emotion Sickness" brings me right back to days of Megadeath, Metallica and System Of A Down. This is by far, my favorite tune. Illuminatus manages to intertwine vociferous instrumentals with vocals ranging from soft spoken to wailing. It begins full force and lays it low in between surprising you when you least expect it. This is a hit, standing only behind "The Wrath Of Lambs".

"Captive State" is a tune that deserves video behind it. Illuminatus paints a picture of the state of all nations. They present here the essentials that enforce all famous rock bands. Simplicity and perfection.

This a CD you never wish to cease listening to. Recorded in Nottingham, The Wrath Of Lambs is innovative, raw and what the entire music scene is in desperate need of.

Melodic, heavy and intellectual, Illuminatus threatens to change the face of music. Join the Revolution, before it passes you by.

Review by Susan Marie

The Knife Confession: Plane Filled Skies

The Knife Confession is a dynamic rock band coming out of Los Angeles, California. Eddie's powerful vocals are emotionally charged. The topics of each song range from different personal experiences that we have all gone through in life. The special thing about Eddie is his ability to change from the clean vocals to the screaming vocals. Background vocals are done by their bassist, Vanessa, and she knows exactly how to accent the singer well.

This band is very theatrical and with their use of effects and strings, they create a whole new atmosphere on certain tracks. The music is a constant pounding on the eardrums. The guitar riffs are pretty heavy, and keep the heart rate high until the end. The drums keep you ready for anything that the band brings up next. The Knife Confession has already played with numerous national acts, and even sold out the legendary Viper Room. The future looks bright for this band, as the live reviews seem to back up the stuff I've heard today. This band will definitely make a name for themselves if they stay focused and promote themselves in the right way, and I wish them the best of luck.

Review by Metal Mark McPheeters

MENEW: Of The Future

Menew comes to us from Toronto, Canada where they began their study of music. Pronounced Men-u, they have shared the stage with U2 on their Vertigo Tour, worked with Rick Parashar (Pearl Jam, Bon Jovi), and Scott Mathews (Elvis Costello, Eric Clapton), as well as shooting a video with Hans Uhlig (George Lucas' cinematographer) while still in their twenties.

Menew is:
Shade: Vocals/Guitar,
Key: Piano/Synth and
Nathan Samuel Philip: Percussion and backing vocals.

They released their latest CD Of The Future on the RedCore Label while kicking off the NxNE Music Fest in Toronto. The NARAS Committee placed Of The Future on the short list for 4 Grammy awards including: Album of the Year, Best Rock Album, Best Performance by a Duo or a Group and Best Video for their single, "This Isn't Real".

The title track, "The Future", begins with an eclectic mix of driving percussion and mean guitar riffs that transcend into perfection with the addition of vocals. The harmonizing is pristine. Shade's guitar and Nathan's drums meld, only to rise then fall with Key stepping in with subtle piano. This tune is a hit, this is the one that will have people grabbing this CD, seeing them in concert and on the radio. It is simply... what music is bleeding for.

The first single, "This Isn't Real", manages to take that perfect mix of pop and rock and make it their own. This tune is reminiscent of the early days of MTV where music was raw and unfiltered. Upbeat, pure and thunderous, Menew thrives on reviving an endless sound, one that the industry is in desperate need of. Check out their YouTube Channel: http://www.youtube.com/menewmusic. Video is top notch and absolute.

"Heaven Knows", enters with a military drum roll continuing throughout. Keys march in much like an organ or harpsichord. Vocals join the two in this requiem of sorts. "Heaven Knows" is a testament to something lost, left behind, a look to the past. The funeral march technique applied is sufficient for the content of the tune. It sets you up for melancholy yet is far from sad. A harmonica cries during the end. The diversity of Menew is outstanding.

The Official 2009 "Of The Future" Tour is under way with an appearance on David Letterman. Check the website for more information: http://www.menew.com and myspace: http://www.myspace.com/menewmusic. I am in awe of these guys and their music. I have not stopped listening since they sent me the CD. This is what music is meant to be, contrary to the title of the first single. Menew IS...100% Real.

This IS ... Of The Future.

Review by Susan Marie

Michio: Así Nada Más

Michio has performed at renowned flamenco and guitar festivals in Germany and abroad. He also performed at the world-famous Festival de Flamenco in Jerez de la Frontera in 2007, the first non-Spanish guitarist ever to be invited there. In May 2007, Michio went back to his classical roots, from The Vienna Conservatory, where he interpreted the famous "Concierto de Aranjuez" by Joaquín Rodrigo. His latest CD Así Nada Más was released with Alameda Production in 2008.

Michio is a guitarist and sought after composer coming to us from Düsseldorf, Germany. He tours Europe and Japan with his Michio Flamenco Project (guitar, bass, vocals, shakuhachi, percussion). He wrote and performed stage music for contemporary dance adaptations of Federico Garcá Lorca's "Das Haus der Bernarda Alba" and "VergissMeinNicht", both directed by choreographer Mei Hong Lin. To date, Michio is the only German artist nominated for The Hollywood Music Awards World Category for his single, "Ignition".

On Así Nada Más, Michio displays a global flamenco style in Ignition. He has an absolute understanding of his art in this song. The vocals are a beautiful addition to his playing. Michio manages to go from basic chords to energized strumming to a rapid fire flash of chords in seconds. His playing is magnificent, new, fresh and meditative.

"Patito Feo" is an upbeat, classical, acoustic tune. The 2nd track on this CD, this is one to get you up and dancing. It is reminiscent of romance, the night. His playing is insurmountable here, speed is redefined through the harmonics and chord structure of Michio.

"Viento de Cara" is beauty. The soft slow progression of acoustics is peaceful. Michio, although playing quite rapidly, manages to bring his guitar down low. The vocals here are in direct response to his playing, much like opera. Listening to this is akin to a conversation between one voice and a guitar, not knowing which is which.

This entire CD is beyond typical guitar playing, let alone flamenco. This is music to relax to, drive for hours with, dance to, work alongside, love with, and most importantly; to soak up the gifted presence of Michio.

If you play, wish to or are an aficionado of music at all, you need to get this CD. Please go to: www.michio-world.org. Michio is well aware of the difference between playing and feeling. He is one with his guitar, allowing the listener to become an active part of his 12 track dreamscape entitled, Así Nada Más.

Review by Susan Marie

Sicarus: Strength Of All

I have reviewed this band's earlier stuff, and knew that something good was going to come out of Sicarus. Their new EP, Strength Of All totally kicked my ass. First off, the production work is phenomenal. They definitely spent a good amount of money for a good cause.

The track "Changing Faces" starts quietly with a nice guitar part followed by soft vocals, but then rapidly turns into a blistering pace of guitar thrashing and pounding double bass. The verses are backed by a head-pounding riff with vocals that cry to the heavens. The whole song moves very well from part to part, and transitions are sometimes the hardest part to songwriting, but not to this band. The next track "Breaking Free" is an onslaught of true metal right from the beginning. The technical guitar parts catch your attention right away. The chorus on this song is very catchy, and gives the crowd the chance to chant along with the vocals at a live gig. The screams in this song are brutal and my horns raise everytime they pound through my speakers. This is the most complete song in my eyes off this EP. It's definitely a song to catch the eyes of labels and unaware fans by surprise.

The title track, "Strength Of All", is a song right up my alley. The hints of Machine Head at the beginning of the track bring an evil smile to my face. The riffs race through the air and are unrelentless in the verses. The guitar part behind the chorus is smart as hell, as it follows the vocals perfectly. Back into the verse, the head continues to bang and then the breakdowns create havoc inside your soul. The end breakdown may break your neck, but it's worth it. Brutality at its finest! Between the clean and screaming vocals, there is a nice balance in this band, because it accents the songwriting in each track perfectly. The vocals are such a strongpoint, you wonder why this band is not huge yet. The guitar solos are just exceptional as well.

From sweeping, to shredding, this band has it all. For fans of old school metal, guitar shredding, mindnumbing solos, and crucial breakdowns, this band is for you. I just hope they make it to Atlanta sometime so I can destroy some pits to this music live. HAILS!

Review by Metal Mark McPheeters